Articles: Academic Papers
"Immersion, Engagement and Presence: A Method for Analyzing 3-D Video Games" Chapter on issues of presence and engagement in virtual reality environments and computer games for anthology The Video Game Theory Reader, edited by Mark Wolf and Bernard Perron, Routledge, 2003, pp. 67-86. Read a selection here.
"Sentient VR: The Memesis Project (Report of a Work in Progress)" Proceedings of the 6th World Multiconference on Systemics, Cybernetics and Informatics (SCI 2002) Orlando, Fla., July 14-18, 2002, edited by Nagib Callaos, Marin Bica and Maria Sanchez,Orlando, Fla.: International Institute of Informatics and Systemics (IIIS), 2002, pp. 467-472.
"Eastern Westerns: Early French Constructions of American Identity" QRFV, Vol. 18 (3), 2001, pp. 295-303.
"Welkom in de speelautomatenhal. Het compuerspel als symptoom van het post-postmoderne tijdperk" (Welcome to the Arcade), pp. 45-57 and "Starring Lara Croft", pp. 213-222, in Hollywood op straat: Film en televisie in de hedendaagse mediacultuur, Thomas Elsaesser and Pepita Hesselberth, eds., Amsterdam: Vossiuspers, (AUP), 2000.
"Architectuur van de geest: Werk van Jeffrey Shaw" (Architecture of the Mind: The Work of Jeffrey Shaw") Feature Article, Archis, 6, 2000, p. 38-43.
"The Quest for Motion: Moving Pictures and Flight" in Visual Delights: Essays on the Popular and Projected Image in the 19th Century, edited by Simon Popple and Vanessa Toulmin, Trowbridge, UK: Flicks Books, 2000, pp. 181-193.
"Biography of Alice Guy" in Contemporary Issues, International Film Festival of Loulé: The Feminine Look: Women in Literature and Cinema, Film Festival Catalogue, 17-23 June 2000, Loulé: Camara Municipal de Loulé, June 2000, pp. 31-38.
"Verbal-Visual-Virtual: A MUDdy History" Gramma: Journal of Theory and Criticism, Aristotle University of Thessaloniki, Volume 7, 1999, pp. 73-90.
"Sound Rewrites Silents", Kintop, Winter 1999, published in German as Stummfilmgeschichte im Licht der Tonbilder, Kintop 8, 1999, p. 141-158.
"The Effect of Multiform Narrative on Subjectivity" Screen, 40:2, Summer 1999, p. 146-157.
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